In 1954, Vinicius de Moraes shared his longing and reflections on his career in Paris with his daughter.

• Letter from Vinicius de Moraes to his first daughter, Susana de Moraes.
• One sheet, two pages.
• In Portuguese.
• 20.9 cm x 27.1 cm.
• Paris, November 25, 1954.
• Excellent condition.
• Unique piece.
  

Excerpts

(...) I find it funny that you tell me that you are struggling with mathematics. Just like your father, who would be faced with a complicated calculation like a cow in front of a cathedral.

(...) I was shocked by your height. Don't grow too tall and go over 1m70, which is how tall your "old man" is. Later, when you start going to clubs with your father, I'll have to wear those ridiculous heels that Jorginho Guiné wears when he goes out with his wife.

(...) In August I will publish a new book of my poems, translated into French, because the “Five Elegies” were very popular.

(...) But none of this, my dear, is worth the fact that your father is far away from you. If it weren't so late in life, and I needed my career to help you and myself, your father would be busy doing something else in Brazil, movies, or something else, because, as time goes by, it becomes increasingly difficult to live away from your children.

In 1954, Vinicius de Moraes was living in Paris, where he worked at the Brazilian embassy. This period of his life was remarkable, as he was in a phase of artistic transition. After publishing significant works such as Cinco Elegias e Poemas, Sonetos e Baladas, he launched his Antologia Poética and the award-winning play Orfeu da Conceição. During his stay in the French capital, Vinicius also began to get involved with the young pianist Tom Jobim, which would later result in one of the most iconic collaborations in Brazilian music. Despite his diplomatic responsibilities, his passion for poetry and music continued to flourish.

Vinicius’ relationship with his first daughter, Susana, was marked by deep longing and affection, a mutual admiration that lasted until Vinicius’ death. Later, Susana often reflected on how her father’s work influenced her life, music, literature, and Brazil. She was probably the person who best understood the artist’s complexity, both in his achievements and his vulnerabilities.

This letter is exceptional because it is handwritten, extensive, in perfect condition and, above all, because it contains very personal and profound content. Just reading it is enough to enter the world of Vinicius, this Brazilian genius recognized worldwide not only as the co-author — with Tom Jobim — of “The Girl from Ipanema,” but, more broadly, as one of the inventors of Bossa Nova and a great playwright. The signature “Darling” at the end, Susana’s nickname for Vinicius, is the icing on the cake.