Drawing and dedication by Carybé and Jorge Amado to Vinícius de Moraes (1962)
Drawing and dedication by Carybé and Jorge Amado to Vinícius de Moraes (1962)
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Comes with Certificate of Authenticity and Digital Warranty ©
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This item is no longer available. However, we may be able to put you in touch with its owner — who knows, they might accept your offer? — or, alternatively, suggest other items of similar interest, without any obligation. Contact us via WhatsApp: +55 31 98221-5758 or by email: contato@glorias.com.br
A rare first edition features an original dedication from Carybé and Jorge Amado to Vinícius de Moraes.
- Watercolor depicting capoeiristas, a dedication by Carybé and a small signature (blue pen) by Jorge Amado - to Vinícius de Moraes and Maria Lucia Proença (Lucinha), the poet's fourth wife.
- Book As Sete Portas da Bahia, first edition from 1962.
- 331 pages.
- In Portuguese.
- 16 cm x 23 cm.
- Good overall condition, some moisture stains.
- Unique piece.
To my brother Vinícius and Lucinha, to the rhythm of the berimbau
and Jorge,
Carybé 62
A rare and out-of-print work, launched in 1962, the book discusses Bahian culture, bringing together over 200 illustrations of famous Bahian locations and traditions: Pelourinho, the capoeira game, Conceição da Praia, the Bonfim Festival, the Iemanjá Festival or Candomblé, among others. The texts are by Carybé himself and Jorge Amado.
Born in Argentina in 1911, Carybé (1911 - 1997) moved to Brazil as an adult, where he spent most of his life. He lived for some time in Rio de Janeiro, but it was Bahia and its culture that Carybé fell in love with starting in 1938. Afro-Brazilian rituals, popular traditions like capoeira, religion, and the state's natural and architectural beauties constantly inspired the painter, sculptor, muralist, cinematographer, and book illustrator.
Highly cultured, Carybé drew, "complementing the writing," for dozens of Brazilian and foreign authors such as Mario de Andrade, Gabriel Garcia Márquez, Walt Whitman, Vinícius de Moraes, and Jorge Amado, of whom he was a great friend. He participated in dozens of individual and collective exhibitions worldwide, such as the São Paulo Biennial in 1971 or the Venice Biennial in 1956.
A first edition in good condition of a fundamental book on Brazilian culture, this piece becomes exceptional for having been owned by Vinícius de Moraes, to whom Carybé and Jorge Amado dedicated this delicate drawing and this small poetic phrase. A testament to the friendship and respect among these three giants of Bahian and Brazilian culture.

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