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Drawings and dedications by Miles Davis and Mikel Elam (1989)
Drawings and dedications by Miles Davis and Mikel Elam (1989)
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In 1989, trumpeter Miles Davis expresses his (other) talent on the menu of a prestigious French restaurant.
- Pencil drawing of Miles Davis, inside a menu at the La Pyramide restaurant, during the Vienne Jazz Festival, in France.
- On the last page of the menu there is another graphic dedication made by the artist Mikel Elam who accompanied Miles Davis during his tours.
- 6 pages.
- In French.
- 21 cm x 29.5 cm.
- Vienne (France), June 30, 1989.
- Excellent condition.
- Unique piece.
Miles Davis (1926 - 1991) started playing the trumpet at age thirteen and never stopped. Responsible for many evolutions in jazz and the discovery of many new talents, his musical genius marked the history of jazz and 20th century music. He was also one of the first black musicians known and accepted by the North American middle class.
The Vienne Jazz Festival, created in 1981, quickly became a meeting point for the best musicians in the world: Ray Charles, Herbie Hancock, Eric Clapton, etc. La Pyramide, one of the most prestigious French restaurants, was the place where the festival's musicians used to dine and stay. After being sold to a real estate group, La Pyramide was reopened in 1989 with a special dinner in honor of the illustrious Miles Davis. It was during this special night that he designed this menu.
Festival creator, Jean-Paul Boutellier explains why Miles Davis was important for the event:
Miles Davis really impacted the festival. Firstly because it had an incredible effect on the public. But also because he liked the place. He liked the festival, he liked the friendliness of the organizers and the spectators, the La Pyramide hotel... He gave legendary shows, like when he played the entire show in the rain to interact with the public, it was fabulous!
Mikel Elam, today a renowned painter represented by gallerist Charles Saatchi, signed the last part of the document on the same night:
One day something magical happens. I became an assistant to legendary jazz musician Miles Davis. I traveled the world with him as his personal assistant for five years. In the midst of all this, I stopped making art. I was consumed by this new life. She dominated. The beauty of my new job was helping Miles achieve his goals of becoming a painter. He would literally draw and paint every day, on the road and at home. I would help him buy his supplies and get him ready to paint after his performances. Sometimes he would start work at two o'clock in the morning after a performance. It was Miles who brought me back to art. He insisted that I do art again. I resisted at first because I thought I wouldn't be able, due to constant change, to create something worthy. What I discovered was that with practice and focus I could create on the road. The world became my studio. These are the influences observed in my work. It is the influence of the rhythm of the world. It's a hybrid juxtaposition of influences from across the globe. Miles eventually became a collector of my work.
Just two years before the death of the legendary trumpeter, this unprecedented document reveals in a very original way another of the artist's talents, drawing, developed with his friend Mikel Elam and generally unknown to the public.
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